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After seeing some of Wizard’s Unearthed Arcana, I feel like I may have focused a bit to much on mechanical bonuses without including a single ribbon. If you happen to have time to give some feed back, or if you happen to even playtest it, I would love to hear your thoughts on how it plays. If you have any particular grammar points you struggle with and you’d like explained in a simpler way, feel free to let me know. You can also follow me on Facebook, Twitter and Google Plus.
Subscribe to my newsletter if you’d like more tips on speaking English, in particular, British English. Sometimes an Izakaya may have wooden bars to separate customers and you can often sit on tatami mats and eat from low tables. Most dishes at Izakayas are intended to be shared, and remind me a lot of tapas style dishes.
I’ll be posting a few new recipes each week of my favourite Japanese small sharing dishes for you to make yourself at home. Come and learn how to make these and more in my Traditional Japanese Bento Making workshop. I made the recipes below last week for a corporate Supper Club event! Today I want to focus on one of my favourite traditional art forms in Indonesia…I know I have many but this REALLY is a favourite of mine from years past and still is today. Let’s take a closer look at wayang kulit or shadow puppets in the Primary Indonesian classroom.
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Wayang, particularly wayang kulit is one of THE most popular traditional art forms in Indonesia. Wayang kulit performances can be found in the royal courts in cities as well as small villages all across Indonesia. It’s an art form that is for everyone, from all walks of life; the rich, the poor, the old and the young.
And although generally wayang kulit performances are for the purpose of entertaining, they also carry with them the important role of educating society. The performances range from serious topics such as; current political agendas to traditional folklore such as the Ramayana and the Mahabharata and also modern comical stories performed at night by the light of the moon and an old oil lantern burning brightly behind the screen. The performances share stories that have been adapted to suit Indonesian culture and have a religious and mythical importance based on traditional Indonesian culture.
Performances are held for special occasions in life such as; weddings, circumcision and 1,000 days after somebody dies or even for the removal of bad spirits. A wayang kulit performance usually begins as late as midnight and continues until sunrise, generally lasting up to 9 hours.
Within the primary Indonesian Languages classroom, I have always incorporated wayang kulit into my Languages program. One, because it’s an important component of Indonesian culture and two, because it’s an interesting, fun and important cultural topic for students of all ages to engage with. In the primary classroom it can offer an effective means through which students can learn and express themselves. The broad needs of a puppet production make it an ideal opportunity to introduce and explore a wide range of concepts, skills and knowledge with something for every age, interest and ability..
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Also, more traditional folktales such as; the Ramayana, a very old Hindu epic, which is the basis of many wayang stories. It is believed that the Ramayana was originally written somewhere between 2,000 and 3,500 years ago in India. Over the years the Ramayana has been translated into many different languages. A shortened version of the Ramayana that I wrote can be found Another major learning focus of the wayang kulit is the visual arts focus. Within visual arts an important point to make and one of the most interesting forms of the human wayang kulit is, the face and the feet of the puppet are side on, while the body faces front on , and animal puppets are usually side profiles. Facial features are an important component of the wayang kulit characters and you can tell what type of character each puppet is according to it’s facial features. There are generally two main types of characters, good and bad.
The good puppets are placed on the right hand side and the bad puppets are placed on the left hand side of the screen from the view of the dalang . Bad characteristics ► bulging eyes ► big noses ► defiant angled head Good characteristics ► almond shaped eyes ► long pointed nose ► bowed head Colours are also highly significant within Indonesian arts and culture.