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Linus Lundqvist bounces back to stage Spa recovery

Xavier Gabriel puiggros Mixta sobre madera, 150×50 cm. Cristobal Garcia Fotografía, Emulsión de plata al clorobromur, 101×60 cm. 2006 ACCÈSSIT Fusión y realce Mixta sobre DM, 250×125 cm. José Benito Gonzalez Acrílioc sobre papel, 194×47 cm.

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Lundqvist came home a discontented ninth in the first race of the double-header meeting, and was then forced to make do with a lowly 12th on the grid for the Sunday finale after running into traffic in qualifying. Once the lights went out in Race 2, however, Lundqvist’s luck appeared to turn when he delivered a blistering first lap to haul himself all the way up to sixth as the field rushed towards the Bus Stop chicane to complete the opening tour of the Belgian GP track.“I am rarely happy with seventh place, but today I actually am,” says Linus Lundqvist. “That was an incredible race to drive – so much fun!

It’s just a real shame that we were robbed of the chance to battle up front, because I really think we could have had a podium. The car was even damaged quite a bit after that hit; I’m shocked it stayed together. I don’t know when I made this many overtakes in a race the last time. The Ibero-American Exposition of 1929 was an international exhibition that took place in Seville in 1929 and aimed to strengthen relations between the countries of the Iberian Peninsula (Spain and Portugal) with the countries of Latin America and the United States, although other countries, such as Morocco, Macao and Gulf of Guinea also participated.

The idea of ​​this exhibition was born with the proposal of Luis Rodríguez Caso, artillery commander, in 1909. This one was very well received, since the possibility of an urban reform was foreseen, to promote tourism, create jobs and improve relations with other countries. The exhibition was scheduled for the 1st of April in 1911 but it was delayed until 1914, coinciding with the construction of the fluvial work of the Corta de Tablada. Due to problems of an international nature, such as the First World War or the problems in Spanish Morocco, together with internal problems regarding the management of the event, it was delayed until 1929, almost at the end of Primo de Rivera's dictatorship. The realization of this ambitious project received the great support of King Alfonso XIII, in love with the city that would host the event and very involved in its development.

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It was the most ambitious project of the exhibition, designed by Aníbal González and the beginning of its construction was from 1914 to 1929. Being the first brick placed by the King Alfonso XIII. After the resignation of Aníbal González in 1926, Vicente Traver took over, adding to the original design of the fountain that is now in the centre of the square.

There, it took place the opening ceremony of the Exhibition. With the design, there were some issues that did not satisfy everyone.   For example, the towers were going to be way taller, but this idea was discarded since they could not compete with the Giralda.  

Another question that is much discussed is the placement of the estuary around the centre of the square, since it was not morally correct since the city has suffered from drought on many occasions. It is one of the greatest examples of regionalist style in Spain and it has been the scene of some films like: Star Wars Episode II: The War of the Clones in 2002, The Wind and the Lion of 1975 or The Dictator in 2012.

It is necessary to add that, after the exhibition, the goal of the square was to be used by the University of Seville or they even thought of doing a hotel, but finally it ended up being the headquarters of the military government, serving as location for General Captaincy. Years later, it would also house the Central Government of Andalusia and the Military Museum. It was of the most visited monuments in Seville, next to the Royal Alcazar, the Cathedral Saint Mary of the See and the Golden Tower.

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Built between 19 by Aníbal González, in a Gothic style. It was built with the intention that, during the exhibition, it would house the art collection of the Royal House. In the access entrance, on pedestals, six eagles in stone holding shields of the Spanish monarchy: Señorío de Vizcaya, Kingdom of Spain, Duchy of Burgundy and Tuscany, Señorío de Molina and Kingdom of Jerusalem. After the exhibition, the pavilion was used as municipal offices. Built between 19 in a neo-Renaissance style and since 1942 it functions as a museum. Inside we can find numerous works of Roman origin from the first Roman civilization established in Spain, Itálica, just 10 minutes from the capital and which was built in 206 BC by the Emperor Scipio, known as "The African". During the exhibition, it was the Pavilion of Ancient Art or decorative industries and arts. In 2014 it was decided to install in it a museum with the art collection of Mariano Bellver, art collector and patron of Seville. It is called Mudéjar Pavilion for its decorative and architectural style. Since 1973, it has housed the Museum of Arts and Customs of Seville. I am happy to find your distinguished way of writing the post. Now you make it easy for me to understand and implement the concept.

NBA players determined the winner from among the 12 nominees who were selected by a panel of league executives. The Dolphins both spent in free agency and used five draft picks between the first and second rounds. He’s 6-foot-4 , and a custom football jerseys of those guys just feel like they can just start running around people and bigger than people, and it just doesn’t work like that, Furrey said.