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(born August 9, 1957) is an American actress and film producer. She began her career in the 1970s, appearing in several independent thriller films before achieving mainstream success in the mid-1980s. Born in New York City to actress Tippi Hedren and advertising executive Peter Griffith, she was raised mainly in Los Angeles, where she graduated from the Hollywood Professional School at age 16. In 1975, a then 17-year-old Griffith appeared opposite Gene Hackman in Arthur Penn's film noir Night Moves.
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Griffith's subsequent performance in the comedy Something Wild (1986) garnered critical acclaim before she was cast in 1988's Working Girl, which earned her a nomination for the Academy Award for Best Actress and won her a Golden Globe. The 1990s had Griffith in a series of roles that received varying critical reception; she received Golden Globe nominations for her performances in Buffalo Girls (1995), and as Marion Davies in RKO 281 (1999), while also earning a Golden Raspberry Award for Worst Actress for her performances in Shining Through (1992), as well as receiving nominations for Crazy in Alabama (1999) and John Waters' cult film Cecil B. Other credits include John Schlesinger's Pacific Heights (1990), Milk Money (1994), the neo-noir film Mulholland Falls (1996), as Charlotte Haze in Adrian Lyne's Lolita (1997), and Another Day in Paradise (1998). She later starred as Barbara Marx in The Night We Called It a Day (2003), and spent the majority of the 2000s appearing on such television series as Nip/Tuck, Raising Hope, and Hawaii Five-0.
After acting on stage in London, in 2003, she made her Broadway debut in a revival of the musical Chicago, receiving celebratory reviews. In the 2010s, Griffith returned to film, starring opposite then-husband Antonio Banderas in the science-fiction film Autómata (2014) and as an acting coach in James Franco's The Disaster Artist (2017). After divorcing Hedren, her father married model-actress Nanita Greene and had two more children: Tracy Griffith, who also became an actress, and Clay A. Her mother married agent and producer Noel Marshall when Griffith was seven years old.
She had her first major role at age 17 in Arthur Penn's film noir Night Moves (1975), in which she portrayed a runaway teenager pursued across the United States by a private detective, portrayed by Gene Hackman. Griffith's performance in Night Moves drew attention to her and she was subsequently cast in two 1975 films: the comedy Smile, playing a pageant contestant, and Stuart Rosenberg's The Drowning Pool, a thriller in which she portrayed the daughter of a Louisiana woman (played by Joanne Woodward) involved in a crime investigation. She was also named Miss Golden Globe for 1975, helping out at the Golden Globe Awards. A contemporaneous profile of Griffith in Newsweek addressed her image at the time, in which it was noted: "She has the body of a sensuous woman, the pouting, chipmunk face of a teenager, and the voice of a child–and, suddenly, she's showing them all." Griffith gave birth to her first child, Alexander Griffith Bauer, on August 22, 1985, with Bauer. The following year, she had her first starring role opposite Jeff Daniels in Jonathan Demme's comedy Something Wild (1986), playing a mysterious woman who becomes involved with a straightlaced banker on a chance meeting.
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Critic Roger Ebert wrote of her acting: "Griffith's performance is based not so much on eroticism as on recklessness: She is able to convince us (and Daniels) that she is capable of doing almost anything, especially if she thinks it might frighten him." Griffith achieved mainstream success when Mike Nichols cast her as spunky secretary Tess Mc Gill in the box-office hit Working Girl (1988), co-starring Harrison Ford, Sigourney Weaver, Alec Baldwin, and Joan Cusack. The film marked a professional shift for Griffith earning her accolades as an A-list actress, characterized in a 1989 Rolling Stone piece: "Before Working Girl, Melanie Griffith was known mostly for her beautiful body and the way that nearly half her directors suggested she expose it." Griffith later admitted to having problems with cocaine and liquor after her split from Bauer. "What I did was drink myself to sleep at night," she said.
"If I wasn't with someone, I was an unhappy girl." After her pregnancy, Griffith began filming the thriller Pacific Heights (1990), directed by John Schlesinger, in which she portrayed a woman, who along with her husband, becomes embroiled in a dispute with a criminal boarder in their San Francisco home. The same year, she reunited with De Palma in The Bonfire of the Vanities, a black comedy in which she portrayed a Southern belle gold-digger. Peter Travers of Rolling Stone panned the film, noting that it "achieves a consistency of ineptitude rare even in this era of over-inflated cinematic air bags...
Griffith has the curves and the Southern-belle voice of Mc Coy's mistress, Maria Ruskin, but the script robs this magnolia of her steel." Owen Gleiberman of Entertainment Weekly criticized Griffith's "cuddly, melting softness" in the film as being at odds with her character: "The way that Griffith has been directed, Lily never seems less than supremely nurturing. And so the movie — unlike, say, The Doctor — pulls back from revealing the dark side of an ordinary person's anguish." In 1992, she starred as Linda Voss, a German Jewish secretary in Berlin, opposite Michael Douglas in Shining Through, a World War II-set drama based on the 1988 novel of the same name.
Desson Howe of The Washington Post was critical of Griffith's portrayal of a German accent, writing: "In all fairness, Griffith shouldn't be lambasted for her incompetent accent. That baby voice of hers -- what's the deal with that? Here, it's completely ludicrous." Jay Boyar of the Orlando Sentinel criticized Griffith's speaking in the film, writing: "When Griffith tries to speak in the crude manner of a streetwise cop, her baby-doll voice turns the words into strained peaches. And while she's capable of projecting the wounded quality that the role demands, she's completely unconvincing when it comes to conveying a detective's intelligence... The miraculous thing about A Stranger Among Us is that Melanie Griffith's performance doesn't entirely ruin it.
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In fact, though the movie has other problems, there are sections that work quite well." Griffith filmed the comedy Born Yesterday (1993), a remake of the 1950 film, in the role for which Judy Holliday won an Academy Award for Best Actress. Billie Dawn is a naive, uneducated showgirl whose wealthy, powerful and crude long-term fiancé (John Goodman) hires a reporter (Don Johnson) to give her enough polish to make her presentable as his wife in Washington, D. “This is supposed to be snappy material, and it comes across gloomy”, Roger Ebert wrote at the time. He faulted the “dumbed down” screenplay, the casting and the lack of chemistry in a film that, in the end, was “morose and mean.” Janet Maslin of The New York Times deemed the film a "brainless comedy," adding: "The film may try to renounce its own tawdriness, but not Ms. Griffith; she brings a certain irrepressible gusto to her role. Among the few genuinely amusing scenes here are those that show her flouncing through the small town where Frank and Dad live, scandalizing the locals and even finding one ex-client strolling with his wife on Main Street." in May 1995, eventually divorcing in 1996. In the midst of her separation, she appeared in an ensemble cast in the coming-of-age drama Now and Then, playing an actress who returns to her Indiana hometown to reunite with her childhood friends. Roger Ebert wrote of the film: "The adult actresses are completely superfluous to the movie, which is a contrived Stand by Me kind of story." Their daughter, Stella del Carmen Banderas, was born on September 24, 1996.
Following Two Much, Griffith starred in the neo-noir Mulholland Falls (1996), playing the wife of a Los Angeles police detective (played by Nick Nolte). Caryn James of The New York Times noted that Griffith was "ideally cast as the annoying, widowed Charlotte.